Afterthoughts About the 2018 A to Z Challenge

I thoroughly enjoyed putting together my 26 posts on Norse Mythology during this year’s A to Z Blogging Challenge. So much, in fact, that I feel I need to take additional steps in my research.

For example, one resource I didn’t run across that I would like to find is a timeline for the tales. I know, for example, that any tale involving Hoenir traveling with Odin around the cosmos must have taken place before the Aesir-Vanir war since Hoenir was one of the two Aesir turned over to the Vanir as a hostage when the two god clans declared they no longer wanted war. I’d like to find–or create myself–a timeline for the stories.

I found many sources, some scholarly and some more accessible to the mainstream audience, with far more detailed and credible information than the superficial thoughts I collected for my blog posts. If you are interested in learning more about Norse mythology, I recommend the following books and other resources. I’ve read two of the books below and plan to read the third as well as dip often into the website listed at the end of the list.

Then go out and see a few Marvel movies to see how Norse mythology has been woven into popular culture, movies such as Thor; Thor: Ragnarok; Thor: Tales of Asgard; and Thor: The Dark World.

If you are in an area where a Viking or Scandinavian festival is held, check it out. There are many held each year in Norway and at least one big one in York, England. Here are a few I could find around the country.

I hope you enjoyed learning about Norse mythology as much as I enjoyed digging deeper to uncover the basis for the many folktales and folk characters I recalled hearing about in my childhood. I feel well prepared to begin conversations, or at least small talk, during my upcoming trip to Norway about the origins of place names, for instance. As a native introvert, I need all the conversation-opening gambits I can find to engage with strangers.

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Y is for Yggdrasill

At the center of the Norse spiritual cosmos is an ash tree, Yggdrasil (pronounced “IG-druh-sill”; Old Norse Askr Yggdrasils), which grows out of the Well of Urd (Old Norse Urðarbrunnr). The Nine Worlds are held in the branches and roots of the tree. The name Askr Yggdrasils probably strikes most modern people as being awkwardly complex. It means “the ash tree of the horse of Yggr.”[1] Yggr means “The Terrible One,” and is a byname of Odin. The horse of Odin is Sleipnir. This may seem like a puzzling name for a tree, but it makes sense when one considers that the tree as a means of transportation between worlds is a common theme in Eurasian shamanism.[2] Odin rides Sleipnir up and down Yggdrasil’s trunk and through its branches on his frequent journeys throughout the Nine Worlds. “Urd” (pronounced “URD”; Old Norse Urðr, Old English Wyrd) means “destiny.” The Well of Urd could therefore just as aptly be called the Well of Destiny.

–from Norse Mythology for Smart People by Daniel McCoy

The tree of life. The tree of the knowledge of good and evil. The tree of Odin’s horse. All images of trees at the center of the world. Many ancient cultures include a central tree with fruit conveying immortality or wisdom or other desirable qualities.

In Persian and Zoroastrian traditions, there is Gaokerena, threatened by a frog and guarded by kar fish. The juice made from its fruit conveys immortality.

In the Kingdom of Ararat, carvings of the tree of life appear on the walls of fortresses.

The first book of the Bible, Genesis, refers to both the tree of life and the tree of knowledge of good and evil. The serpent tricked Eve into tasting the fruit of the tree of knowledge of good and evil, and then Eve convinced Adam he too should eat the fruit. Their punishment was to be expelled from the Garden of Eden where the tree of life remained, guarded by angels with flaming swords.

Buddha sat under a sacred fig tree, also known as the Bo or Bodhi tree, when he attained enlightenment.

In Chinese mythology, the tree of life is depicted with a dragon and a phoenix. Every three thousand years, the tree produces a fruit which when eaten gives the eater immortality.

In Islam, the Garden of Eden contains the tree of immortality, and it is this tree that God forbade Adam and Eve from eating the fruit. In this version as well, the serpent seduced Adam and Eve to eat from the tree, disobeying God.

World trees were associated with pre-Columbian Mesoamerican cosmologies where the trees connect the four directions as well as the underworld and sky with the physical world

Native American Indian tribes often include tales involving trees, such as the Grandmother Cedar tales of the Sammish and Ojibwa tribes.

With all those other societies including stories of sacred trees to explain creation, the desire for immortality, the consequences of disobeying God, and other important life lessons, there should be no surprise to learn that a tree–perhaps an ash, perhaps a yew–holds together the mythological cosmos of the Norse and Germanic ancient culture.

Yggdrasil connects the nine levels of Norse cosmology:

  • Niflheim, the primordial frozen land;
  • Asgard, the land of the Aesir;
  • Midgard, the land of humans;
  • Jotunheim, the land of the giants;
  • Vanaheim, the land of the Vanir;
  • Alfheim, the land of the elves;
  • Svartalfheim, the land of the dwarves;
  • Helheim, the underworld;
  • Muspelheim, the primordial flaming land

Odin travels to all levels of the cosmos on his horse, Sleipnir. Not all creatures of the cosmology can travel beyond their home levels, which explains why so many of the tales involve the Aesir and Vanir traveling to the homes of the elves, the dwarves, and the giants, but not often the other way around.

The well of Urd, guarded by the three Norns, rests at the base of Yggdrasil. Other creatures live among its branches and roots, including an eagle that lives in the top branches, snakes and dragons that gnaw on its roots, a squirrel named Ratatosk who carries messages between the snakes and the eagle, and four deer named Dain, Dvalin, Duneyr, and Dyrathror who nibble at the highest levels. [3]

[1] Simek, Rudolf. 1993. Dictionary of Northern Mythology. Translated by Angela Hall. p. 375.

[2] Eliade, Mircea. 1964. Shamanism: Archaic Techniques of Ecstasy. Translated by Willard Trask. p. 37.

[3] The Poetic Edda. Grímnismál, stanzas 32-34.

Image credit: By Friedrich Wilhelm Heine (1845-1921). – Wägner, Wilhelm (1886). Asgard and the gods. London: Swan Sonnenschein, Le Bas & Lowrey. Page 27., Public Domain, Link
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V is for Valhöll

Valhalla (pronounced “val-HALL-uh”; Old Norse Valhöll, “the hall of the fallen”[1]) is the hall where the god Odin houses the dead whom he deems worthy of dwelling with him.

–from Norse Mythology for Smart People by Daniel McCoy

Norse mythology includes several places where the dead go. Odin’s hall, Valhalla (Hall of the Fallen), and Hel’s underground domain, Hel (the Hidden), are the most well known, but perhaps that is more due to the influence of Christianity which introduced heaven and hell as the reward and punishment meted out according to how humans lived during their lifetimes.

There are also Freya’s hall, Folkvang (Field of the People), and the underwater abode of the giantess, Ran, where those who drowned were sometimes gathered.

More is known about Valhalla than the other places. Valhalla is where Odin chooses the best of the fallen warriors, brought to him by the valkyries, to live with him until Ragnarok. Once there, they become einherjar, those who fight alone. While there, the einherjar do what warriors do best–they fight. Each evening their wounds and injuries are healed, and they feast and drink. And so life-after-death goes on.

Until Ragnarok.

For more about Valhalla, see Poetic Edda, stanza 33, Voluspo, The Wise Woman’s Prophecy; stanza 41, Vafthruthnismol, The Ballad of Vafthruthnir; stanzas 6, 8, 18, 21-23, 25, Grimnismol, The Ballad of Grimnir; stanzas 1, 8, Hyndluljoth, The Poem of Hyndla; prose after stanza 37, Helgakvitha Hundingsbana II, The Second Lay of Helgi Hundingsbane; stanza 2, Atlakvitha En Grönlenzka, The Greenland Lay of Atli;

[1] Simek, Rudolf. 1993. Dictionary of Northern Mythology. Translated by Angela Hall. p. 346.

Image credit: By Max Brückner (1836-1919) – [1], Public Domain, Link

“Njord’s Desire of the Sea” by W.G. Collingwood (1908)

V is for Vanir

The Vanir (Old Norse Vanir, pronounced “VAN-ear”) are one of the two principal tribes of deities featured in Norse mythology. (The other tribe is the Aesir.) Among their ranks are FreyaFreyrNjord, and arguably the early Germanic goddess Nerthus as well. Their home is Vanaheim, one of the Nine Worlds held within the branches of the world-tree Yggdrasil.

–from Norse Mythology for Smart People by Daniel McCoy

“Freyja and the Necklace” by James Doyle Penrose (1890)
“Freyr” by Johannes Gehrts (1901)

While the Aesir were known for their warlike nature and fighting ability, the Vanir were known for their powers over the sea and the fertility of the land. Why the two groups were so much at odds with one another isn’t clear since cooperating seems a sensible solution for both groups to be protected (through the powers of the Aesir) and able to propagate and fill the land (through the powers of the Vanir). But never mind. Eventually both sides recognized the strength of the other and decided continuing battles were counterproductive.

Thus ended the first Aesir-Vanir War.

About the only Vanir recorded in the Poetic Edda are those mentioned by Daniel McCoy in the above introductory paragraph. The Vanir gave Njord and his twin children, Freyr and Freyja, as hostages to the Aesir as guarantee of their good will at the end of the war in exchange for the pair Hoenir and Mimir given by the Aesir to the Vanir. From that point on, the three Vanir gods become integrated into the world of the Aesir. So much so that it is not clear whether Freyja and her husband Odr are not in fact Frigg and Odin.

And then there is Nerthus, not mentioned in the Poetic Edda at all. Roman historian Tacitus in his Germania (authored about 100 CE) referred to her as Mother Earth and described rituals where she would arrive in an area riding in a chariot drawn by cattle, accompanied by priests. Before her arrival, all iron implements must be hidden away so that there will be no war or violence while she is present. While she is there, the populace make merry and celebrate until she decides it is time for her to move on. Once she leaves an area, the chariot and all vestments as well as Nerthus herself are taken to a lake to be spiritually cleansed. All those humans involved in the cleansing are then drowned in the lake, apparently willing sacrifices for the goodness Nerthus brings to the earth. [1]

But it isn’t that simple. Those with more linguistic knowledge than I have pointed out that the name Njord is exactly what the Proto-Germanic name Nerthus would look like if translated into Old Norse. Perhaps Nerthus and Njord are really a linked pair, like Freyr and Freya, or even that they are names for the two aspects of a hermaphroditic god. [2]

“Nerthus” by Emil Doepler (1905)

[1] McCoy, Daniel. Norse Mythology for Smart People, article on Nerthus.

[2] Ibid.

Featured image credit: “Njord’s Desire of the Sea” by W.G. Collingwood (1908)

 

U is for Ullr

Ullr (pronounced “ULL-er,” often Anglicized as “Ull,” and also occasionally referred to as “Ullinn”) is an obscure and enigmatic Norse god. References to him in Old Norse literature are sparse and tell us little to nothing about his personality or role in pre-Christian religion and mythology. Nevertheless, these passing references indicate that he was once a deity of considerable importance, even if we don’t know why.

–from Norse Mythology for Smart People by Daniel McCoy

Okay, I admit it. I picked U is for Ullr because I couldn’t find any other name that begins with U. The only place name I could come up with is Uppsala, but that’s in Sweden, and I will be traveling to Norway. And most of the resources I could find having to do with Uppsala are disputed by others.

So I’m sticking with Ullr or Ull. He is listed among the gods in the Poetic Edda. He was the son of Sif and the step-son of Thor. He was known for his skiing and his archery skills. But there are no known stories that include him.

But even he has made his mark on modern culture.

Ski patrols in parts of Europe wear a medallion with Ullr’s image, on skis, and carrying a bow and arrow. Breckenridge, Colorado, hosts a Ullr fest each January, supposedly to gain his favor and plenty of snow for the rest of the skiing season. There is even a New Zealand TV program that ran from 2011 to 2013, The Almighty Johnsons, based on the premise that a man woke up on his 21st birthday and discovered he and his family were reincarnated Norse gods who don’t yet know how to control their powers. And Ullr was one of the gods in the main character’s family. Clearly important.

And there are many place names in Norway that include his name, something for me to look for during my travels there.

For the tiny bit of information on Ull in the Poetic Edda, see stanzas 5, 42, Grimnismol, The Ballad of Grimnir; notes for stanza 30, Hyndluljoth, The Poem of Hyndla; stanza 32, Atlakvitha En Grönlenzka, The Greenland Lay of Atli

Image credit: Public Domain, Link

T is for Týr

Tyr (pronounced like the English word “tier”; Old Norse Týr, Old English Tiw, Old High German *Ziu, Gothic Tyz, Proto-Germanic *Tiwaz, “god”[1][2]) is a Norse war god, but also the god who, more than any other, presides over matters of law and justice. His role in the surviving Viking Age myths is relatively slight, and his status in the later part of the Viking Age may have been correspondingly minor. But this wasn’t always the case. Other kinds of evidence show us that Tyr was once one of the most important gods to the Norse and other Germanic peoples.

–from Norse Mythology for Smart People by Daniel McCoy

Little remains documenting the achievements of Tyr. A note in the translation by Henry Adams Bellows of Hymiskvitha, The Lay of Hymir in the Poetic Eddas, indicates that the two great achievements of Tyr, the god of battle, were “thrusting his hand into the mouth of the wolf Fenrir so that the gods might bind him, whereby he lost his hand . . . , and his fight with the hound [of hell] Garm in the last battle, in which they kill each other.” [3]

Tyr’s sacrificing of his hand parallels Odin’s sacrificing of his eye in some ways. Where Odin’s sacrifice was in search of wisdom, Tyr’s was in defense of justice. For if the gods had succeeded at binding Fenrir through trickery, there would be no justice in their actions.

While references to Tyr are scant in the Poetic Eddas, there is evidence that the Romans knew of him and considered him to be the same god as Mars. The fact that in Latin languages the name for the third day of the week (Mardi in French, martes in Spanish, martedì in Italian) is based on the name of Mars, in Germanic languages the name for the same day (Tuesday in English, Dienstag in German, tirsdag in Norwegian and Danish, tisdag in Swedish), is based on Tyr, though the German version relies on a Latin version of the name for Tyr and the others go back to an alternate spelling, Tiw.

One of the runes in the Futhark alphabet (named by spelling out the first letter of the names of the first six runes where th represents one rune) is Tiwaz, the Proto-Germanic spelling of Tyr’s name. The rune means victory and honor. This connection with Tyr represents both his status as a god of war and of justice.

Many names referred to in the Poetic Edda end in “tyr” which in that context means “god of.” For example, Hangatyr, one of the Odin’s names, literally means the “god of the hanged.”[4]

In other words, he must have been an important god, though few tales remain.

[1] de Vries, Jan. 2000. Altnordisches Etymologisches Wörterbuch. p. 603.

[2] Orel, Vladimir. 2003. A Handbook of Germanic Etymology. p. 408.

[3] Bellows, Henry Adams. 1923. Poetic Eddas p. 102

[4] Wikipedia entry for Tyr

Image credit: By John Bauer, Public Domain, Link

S is for Sleipnir

Sleipnir (pronounced “SLAYP-neer”; Old Norse Sleipnir, “The Sliding One”) is the eight-legged horse of the god Odin. Sleipnir is one of Odin’s many shamanic helping spirits, ranks that also include the valkyries and Hugin and Munin, and he can probably be classified as a fylgja. Odin rides Sleipnir on his frequent journeys throughout the Nine Worlds, which are held in the branches and roots of the world-tree Yggdrasil.

–from Norse Mythology for Smart People by Daniel McCoy

Odin rides Sleipnirt o Hel

My granddaughter is fascinated with My Little Pony right now. Some of the inhabitants of Hasbro’s magical land of Equestria are just that–ponies. Some have wings. Some are unicorns. And some both are unicorns and have wings.

Whatever color or version–with a horn or without, with wings or without–My Little Ponies are magic.

Just like Sleipnir. Even without having a unicorn’s horn or wings, he can fly. And he has eight legs.

Though my A to Z challenge is to write about Norse mythology, the fact that references to Sleipnir mention that eight-legged horses can be found in other mythological traditions as well, usually associated with shamanism in some way, has veered my thinking in a different direction. So for today I decided to go in search of information about other eight-legged, mythical horses. After all, I’ve already talked about Sleipnir in L is for Loki and O is for Oðinn, so you already know how Loki shape-shifted into the form of a mare to attract the giant builder’s stallion away from the task of completing the wall around Asgard and that Odin rides on Sleipnir during his wandering through the cosmos.

I found several tales of horses with miraculous powers, most often the ability to fly or at least to cover great distances in a short period of time. But I didn’t find many examples of eight-legged horses–with or without magical powers.

The most promising possibility comes from South Korea where there is a tomb, Cheonmachong, from the 5th to 6th century CE, referred to as the Heavenly Horse tomb, with a stylized painting of an eight-legged, winged horse on a birchbark saddle flap inside the tomb. I searched for a myth to go with this, but failed to find one. I probably need more time.

I found references to a tale about an eight-legged horse from the area near Lake Baikal, but I couldn’t find the tale itself. This is as much as I found:

Eliade recounts a Buryat legend about a shamanic steed with eight legs: “a young woman takes as her second husband the ancestral spirit of a shaman, and after this mystical marriage one of the mares in her stud gives birth to a foal with eight legs. The earthly husband cuts off four of them. The woman cries: ‘alas! it was my little horse on which I used to ride like a shaman!’ and vanishes, flying through the air, to settle in another village.”

–from KRISTEN PEARSON, “CHASING THE SHAMAN’ S STEED” page 11

Tales about horses in Mongol culture are fascinating because in many of them, the horses, not the humans, are the heroes, and divinity is believed to be held by the horse, not humans.[1] But I couldn’t find one where the horse had more than the normal four legs.

I found a reference to Bagri Maro from Hindu folklore, which at least one anthropologist suggested is a horse with not only eight legs but also four heads. Another researcher suggests Bagri Maro refers not to a horse but to four people carrying a coffin since the only mention of Bagri Maro in English is from a funeral dirge.

I think I’ll ask my granddaughter what she thinks about a My Little Pony with eight legs. She accepts so many other wondrous elements in her corral of ponies. Maybe she’ll think having one with eight legs would be just fine. Just so long as it has cutie marks.

[1] https://en.wikipedia.org/wiki/Horse_culture_in_Mongolia

Image credit: By W.G. Collingwood (1854 – 1932) – The Elder or Poetic Edda; commonly known as Sæmund’s Edda. Edited and translated with introduction and notes by Olive Bray. Illustrated by W.G. Collingwood (1908) Page 238. Digitized by the Internet Archive and available from https://archive.org/details/elderorpoeticedd01brayuoft This image was made from the JPEG 2000 image of the relevant page via image processing (crop, rotate, color-levels, mode) with the GIMP by User:Haukurth. The image processing is probably not eligible for copyright but in case it is User:Haukurth releases his modified version into the public domain., Public Domain, Link